Pearl Harbor
Following the model laid out by Band of Brothers, The Pacific begins with actual footage of Pearl Harbor and interviews with some of the veterans of the Pacific War. We’re rapidly approaching the time when the generation who fought in WWII will be gone and I find these interviews extremely valuable. In Band of Brothers, they were often the most heart-wrenching parts of each episode. I am immensely happy that The Pacific has continued using real footage and interviews – it reminds the audience that this show is based in fact and reality.
As I mentioned earlier, the United States was not ready to go to war with Japan on December 7th, 1941. While the American military had been anticipating a war with Japan for some time, they did not have the equipment or men needed to engage in a massive war halfway around the world. On August 7th, 1942, eight months after the attack on Pearl Harbor, Guadalcanal became the first major offensive of the Pacific War precisely because the United States needed to spend that time training soldiers (marines specifically) to fight the Japanese in the South Pacific.
Bushido: The Soul of Fanaticism
Hara-kiri’s Juxtaposition of Sensationalism and Reality
Anyone vaguely familiar with Japan has no doubt heard of samurai, the fiercely disciplined and loyal warriors who ruled over Japan for centuries. In the West, we like to believe that every samurai lived according to the philosophy of bushido, the Way of the Samurai. According to Japanese works, such as Yamamoto Tsunetomo’s Hagakure and Yukio Mishima’s Patriotism, this belief is quite accurate. However, what many fail to realize is that these works are a misrepresentation of the samurai beliefs common during the Edo period (roughly 1600-1868) and exaggerate the historical and social significance of bushido. In reality, bushido is an artificial philosophy, written and followed by a fanatic minority who wished to cling to a bloody, militant past and was never accepted or followed by the majority of the samurai class. In Death, Honor, and Loyalty: The Bushido Ideal, G. Cameron Hurst states, “The few Tokugawa works which explicitly use the term bushido turn out, in fact, to be a very narrow stream of thought essentially out of touch with the broader spectrum of Neo-Confucian ideas to which most of the samurai class adhered” (515). However, the principles of bushido – and samurai philosophy in general – are unclear and poorly defined because they were never codified into a written ethical code. For the sake of clarity, this essay will concentrate on the interpretation of bushido found in Masaki Kobayashi’s 1963 film Hara-kiri, which artfully juxtaposes the fanatic bushido followed by the Iyi clan and the more moderate and rational actions of the ronin Tsugumo Hanshiro. While Tsugumo’s actions seem to conflict with the principles of samurai ethics according to bushido, they are actually a more realistic representation of the principles upheld by the samurai of that time. The ‘philosophy’ of bushido misinterprets these values in several ways; it completely disregards compassion as the key element in the virtues of honor, loyalty, and duty, has a rabid philosophy of ‘pure action,’ and has perverted an ‘acceptance of death’ into an obsessive cult of ritual mutilation and suicide.
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