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Japanese Imperialism 1894-1945 Review

Book Cover

In the space of 50 years, Japan built an empire that stretched from northern Manchurian down to the tip of Australia. Though its existence proved ephemeral, this was a staggering accomplishment for an island nation that had remained largely (though not completely) disconnected from the Western world until the mid-19th century and had only begun to modernize in 1868. In Japanese Imperialism 1894-1945, W.G. Beasley provides an overview of Japanese territorial expansion and imperialism, beginning with the Sino-Japanese War and ending with Japan’s defeat in the Second World War. In Beasley’s own words, the thesis of this book is as follows; “I do not believe the human impetus towards imperialism needs explaining…What the character of a society, or the international circumstances with which it has to deal, does indeed determine the timing and direction of the impetus, the degree of its success or failure, the kind of advantages that are sought, the institutions that are shaped to give them durability…That is what I propose to examine with respect to Japan” (Beasley, 13). This thesis struck me as vague and somewhat ill-defined. Essentially Beasley does not intended to examine why Japan attempted to carve itself an empire out of East Asia but how it did so. Much of this book is merely a summary of the conventional narrative on the subject with exhaustive references to names and dates. Ultimately, Beasley does not substantially contribute to the historical debate on the subject and merely synthesizes existing lines of thought. Upon turning the last page, the reader knows nothing more than the standard facts and is left to wonder what the point of picking up the book was in the first place.

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Even living dead girls need to look good

Presumably set in Okinawa, Shiryo-gari (written and directed by Muroga Atsushi) is about an American military experiment on dead bodies that predictably results in a zombie outbreak. The hapless American soldiers enlist the help of Dr. Nakada (played by Kishimoto Yuji), a Japanese scientist who was involved in the original research, to help bring the situation under control. As luck would have it, a group of inept jewelry thieves, led by Jun (Asano Nobuyuki) and Saki (Shimamura Kaori) decide to use the isolated laboratory as a hide-out before the American soldiers can get there to clean up the mess.

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Title frame, circa HITCHCOCK

Dead Girl Walking is one of six segments of a made-for-TV series called ‘Hino Theater of Horror,’ all adapted from the works of manga artist Hino Hideshi. Hino Hideshi dreams up pretty dark ideas for his manga and he ranks just below Junji Ito as one of the most important Japanese horror-gore manga artists. Yuri (Maeda Ayaka), a young student, suddenly dies from a heart attack…except she doesn’t die. Though clinically dead, she continues to think, act, and feel just like any other high school girl. She attempts to ‘live’ on, even as her body begins to rot. Her family, forced to live with an abomination and deal with her increasing stench, try a variety of ways to actually kill her. Unfortunately she is already dead, so their efforts are in vain. Despised by everyone, she runs away and becomes a homeless vagrant, her body slowly falling to pieces. Walking along the road, she gets picked up by a strange man and forced into some bizarre circus act, where she may or may not have been raped by a group of perverse business men. Ultimately her decomposition progresses so far that she can no longer move and her family douses her body in gasoline and burns her ‘alive.’ Then there is some sort of birth/death sequence and, finally truly dead, Yuri can rest in peace.

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Tokyo Zombie

Imagine George A. Romero’s Land of the Dead fused with Simon Pegg’s Shaun of the Dead and you’ll have a pretty good idea of what this movie is about. However, based on the manga by Hanakuma Yusaku and written and directed by Sato Sakichi (the man responsible for the Ichi the Killer adaptation), Tokyo Zombie is inescapably Japanese.

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